Pure

The most asked question—and I’m sure other makers get this, too—is “How long did it take you to make this?” I suppose it’s one of those things people are accustomed to asking, like saying “I’m sorry” at funerals or something. The fact is that the length of time it takes to make something doesn’t really tell you anything. The Work says everything.

So let’s just get this out of the way: This weaving project (I’ve been calling it “Pure”) took me six months to complete. That doesn’t mean I was working on this non-stop, it just means that from start to finish it took that long. See? That information doesn’t mean JACK. During the time this was on my loom, I started, completed and sold numerous knitting projects, recycled sweaters, etcetera, you get the idea.




There really isn’t anything all that complex going on in my weaving. I’m still pretty new to the craft, so composition is what I’m really focusing on. I look at the visual elements, and how colors interact with each other to define that composition. That’s pretty much it. In technical terms, this is a plain weave with a few color alternations.

The scale of a piece is something I like to explore in all mediums. Generally, I lean towards light fabrics comprised of finer yarns. Since the sett is so high, minute changes become sharp breaks in the composition. The thin pinstripe wefting is an example of that. I’ve taken these elements a bit further by leaving the ends attached and dangling off the selvedge.

Aside from the straight-forward contrasts and high sett, there are some quadruple strand wefted sections near the center that are barely noticeable. Eventually, these sections will differentiate themselves with their stability while the lighter broadcloth wefts wrinkle around them (or maybe not, who knows).




Overall, the composition consists of an unstoppable deluge of this cool charcoal that borders a desaturated navy, with light gray selvedge that comes in full force at the very end of the weave. This kind of basic two block/two color looks great in monochromes. I like how the charcoal color comes off as blue. I like that it’s faded. You can’t get that kind of ambiguous desaturation very often. Maybe that’s why I like faded blacks and grays so much. They’re ambiguous, and difficult to define.

The yarns:
Cool Charcoal
Recycled from a Gap sweater.
Light Gray Main Color and Light Gray Alternating Wefts section
The armband sections of another Gap sweater I recycled, as well as the seaming thread used on the armbands which was slightly different in color.
Warm Charcoal Block Wefts
The last remaining yardage of the yarn lot.